Info About The Street Artist

• Obey: Often described as a Street artist, Fairey's name first began to appear in the news for wheat pasting (adorning public spaces with the artist's own posters, affixed to walls, signs and other elements by way of a water + wheat mixture--as in wallpaper paste), sticker tagging, and the numerous accompanying arrests that now comprise his official criminal record.

Date and Place of Birth:

February 15, 1970, Charleston, South Carolina

The artist's legal name is Frank Shepard Fairey. He goes by the latter two names in professional life.

Early Life and Training:

Son of a physician, Shepard Fairey fell in love with making art at age 14. After graduating from the prestigious Idyllwild School of Music and the Arts in Idyllwild, California in 1988, he was accepted at the Rhode Island School of Design. (If you're not familiar with this fine institution, RISD is almost ridiculously hard to get into and enjoys a sterling reputation as a training ground for working artists.) Fairey graduated in 1992 with a B.F.A. in Illustration.

Ending Up on the Street:

While attending RISD, Fairey had a part time job in a Providence skateboarding shop. The marginalized, "underground" culture there (where styles are out as soon as they're in) synthesized with that rarified art school culture and Fairey's ongoing interests in (1) punk music and (2) stenciling his own punk music t-shirts.Everything meshed on the day a friend asked him how to create a stencil. Fairey demonstrated with a newspaper ad for a professional wrestling match featuring Andre the Giant which was the most banal image he could have grabbed. Tantalizing "what if" possibilities began to cross Fairey's mind.

And so it came to pass that Fairey, who had only recently become aware of Graffiti Art, took his "Obey" stencils and stickers to the streets. Andre the Giant famously gained a posse and Fairey's name was launched.

Controversy:

Fairey has often been accused of plagiarizing other artists' work. In some cases, even casual examination of these claims shows almost verbatim copying with little transformation. While some of the older, political propaganda works are in the public domain, others are not. The real issue seems to be that Fairey copyrights these appropriations, enforces his copyrights and profits from them.

Fairey also disappointed a segment of his fans by not remaining a cult figure and beginning to make money as an artist.

Conversely, his messages calling for social and political change are sincere, he donates heavily to causes and he keeps a staff of assistant artists gainfully employed. Note too that many parallels can be drawn between Fairey's image sources and those of Andy Warhol, who is now celebrated in the art world.

Only time will tell if Fairey attains Warholian status, but he has already gained a lasting place in history for the HOPE poster used during Barack Obama's 2008 US Presidential campaign.

Best Known Works:

Obey, originated in 1992

HOPE, 2008

Quotes From Shepard Fairey:

I think the Obey icon image finds a balance between goofy and creepy, humorous and monolithic. I consider the image the counter-culture Big Brother. I'd like to think of it as a sign or symbol that people are watching Big Brother as well. I've had people ranging from anarchists to the president of the National Reserve Bank embrace my work and I think the more diverse the audience is, the more potential for interesting dialogue there is.--interview with Steven Heller, June 04, 2004There are a lot of different people who’s [sic] work I like that aren't necessarily aesthetic influences, but conceptual - and there are some that are aesthetic. I’m inspired by John VanHammersfeld who did a lot of psychedelic poster graphics and one of my earliest Obey Giant graphics was my knock of his iconic Hendrix graphic. My work is very much a melting pot of a lot of different influences.--interview with Sean Hartman, July 23, 2008.

• Mr.Cartoon: Born and raised in Los Angeles, Mister Cartoon’s expressive style of art is universally recognized and embodies the true soul of Los Angeles street culture. Beginning his career as a graffiti artist in the 1980s, Cartoon gained notoriety for his brilliant tattoo work, album cover designs, logos, advertisements, and custom lowrider car murals. His richly detailed, hand-rendered designs are inspired by the style of tattoos that originated in the hard streets of 1970s’ Los Angeles – fine line, black and grey, gritty yet soulful.  Cartoon’s most recognized canvas is the skin. His tattoos have been commissioned by icons like Beyonce, Dr Dre, Snoop Dogg, Justin Bierber Christina Aguilera, Eminem, Justin Timberlake and 50 Cent to name a few. His work also adorns the likes of CC Sabathia, Amar’e Stoudemire, Lewis Hamilton, and Carlos Boozer and has come to represent strength, faith and ferocity on the competition field.The friendships formed with clients in the tattoo chair have led to some longstanding relationships and unique collaborations.

Cartoon’s private tattoo studio itself has become a cultural landmark. From Thailand to New York, Japan and the United Kingdom, Cartoon’s tattoo residencies continue to take his cultural message to the world. Mister Cartoon’s canvas of choice is often the veneer of his immaculately restored vintage cars. Cartoon’s extensive collection of candy coated, hand muralled lowriders includes the breathtaking 1960s Icecream Truck that took him over a decade to complete. Selected to headline the seminal 2011 “Art In The Streets” exhibit at the Museum of Contemporary Art (MoCA), Icecream Truck was part of a major Mister Cartoon installation on display at the show, which was recognized as one of the most in-depth and comprehensive cross-sections of street art ever seen. This automotive passion that has sparked the latest endeavor – the creation of Mister Cartoon’s Sanctiond, a signature brand of premium car care products.

Mister Cartoon has partnered with companies such as Microsoft, Nike, MetroPCS, Diesel, Universal Pictures and Fox Studios on a variety of successful collaborations. Mister Cartoon is continually driven to give back to the community that has supported him. He is able to do this through weekly outreach programs and collaborations with organizations that are active in the community, such as Lance Armstrong’s Livestrong foundation. He has been featured in numerous publications, including The New York Times, The Wall St Journal, Rolling Stone, Complex, XXL, GQ and many more.  Through his role as Creative Director of SA Studios Global and its private label brand, Sanctioned, Mister Cartoon is continually approached to bridge the gap between corporate America and Los Angeles street culture. SA Studios Global is recognized as an innovator in marketing and branding. The agency’s unique focus on culture-led marketing has earned SA a reputation as the partner of choice for connecting brands across a multitude of verticals to the cultures in which they wish to thrive.